This is easily one of my favorite characters. Ganondorf is the classical evil enemy, greedy and seeking to conquer all the land, and bound everyone to it's will. The gerudos are an interesting race in terms of visual and i always wanted to paint this fire head dark king. My first encounter with him was on Ocarina of Time, and i remember like if it were yesterday, Link and Zelda spying on the king's court window and seeing this man pretending to be a king's ally, on his knees, and then suddenly he turns his head to the camera and sees you.
That gave me the creeps when i had 12. That pure evil look, seeing through your soul with that cynical smile on his face. That is what i tried to represent here. Ganondorf is power on the triforce, brute force, so he needed to be massive in a way. The background needed to be almost pure black, like if he is emerging from the darkness over a flaming ground. His pale face is something very odd and terrifying too but i really wanted to give that red-dark light feel to represent his evilness, so when you see his face, it's covered on a malice red light. This is not the guy you'll want to mess with. That wraps up the first set. I hope you like it!
Ganondorf's expression sends shivers down my spine. What a fantastic portrait! Fan Art by ~Toguza (
Suggested by *Sarky-Sparky and Featured by
^KasumiCR)
I really can't find anything technically wrong with this; it's undoubtedly a masterful work. Though I do personally feel that giving Ganondorf an unnaturally large mouth is part of what makes him unnerving, which is the only thing I feel is missing from this.
Just a little thing that nags at me, is all. Excellent work.
I kinda agree with you on this. But this is part of the challenge of making such cartoonish characters in a realistic approach. I decided to give him a less large mouth, and concentrate in the overall expression. But thanks a lot for the feedback. Stay tuned with the posts. I 'll be selling prints of these fanart series really soon.
That is a significant quagmire; on the one hand, you don't want to make the suspension of disbelief too difficult to achieve, but at the same time distorting something to unrealistic proportions can accentuate the effect of a piece. I honestly do think you hit a great balance with this (and I'm obviously not the only one), it's simply a personal preference of mine to lean a bit toward a stylized vision.
Just a little thing that nags at me, is all. Excellent work.